Stained glass and screenprint. 2026.
Somewhere brilliant and beautiful, there is a place for me and you.
The art of the comic strip, though widely accessible through Xeroxed ephemera and off-beat commentary, bears an undeniable resemblance to the traditional storytelling structure of stained glass. Our universal struggles as humankind are simplified into icons and symbols. Actions are separated by panels and shown in a sequence. The only difference is the subject matter. What if a stained glass window, in all its ornate and otherworldly legitimacy, held nothing but a common housefly?